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It was once said that the camera is the pen of cinema, but for this film, the camera is the weapon of the filmmaker. The man who closes it refuses conventional communication with a strong desire for self-expression, and throws and scatters his lost "self" all over the place, regardless of who he is or where he is. The camera becomes a part of the artist, crawls on the ground with him, and starts to rotate with him. Self-deprecating, voyeuristic, violent... A vivid depiction of the sick soul of modern youth.
Director
Status
Released
Original Language
JA
Tokyo schoolgirl Hiromi and her friends engage in a practice known as enjo kosai, or "compensated dating", where older men pay young girls for dates. Hiromi plunges deeper into this world to raise money for an expensive ring.