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Set in 1986, this riveting drama centers on Jeremih, a Deaf black painter who must navigate a tense racially charged confrontation with police on the very night his art is being celebrated. Filmmaker Chantay Taylor’s storytelling aims to rewrite the narrative of how black men are seen in history (and on-screen) and illustrate that there is more than what meets the eye when it comes to a diverse community and their art.
Director
Writer
Status
Released
Original Language
EN
Budget
$7,027

Singer is a deaf-mute whose small world brings him in contact with a young girl, Mick, who cherishes a seemingly hopeless dream of becoming a concert pianist. At first hostile, Mick soon becomes friends with Singer, hoping to enlarge his small world. Three other central characters come to Singer for help also, each of them seeing in him a powerful force.

Charles Taylor
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.