Say it with Flowers (1974)

Auguste Maroilleur, an elderly farmer, exploits 400 hectares of crop land with the help of his family, over which he rules with an iron hand. Things go awry the day he discovers one of his grandsons is involved in drug traffic. To make matters worse, the reckless youth has hidden the white powder in the Maroilleur farm. Without a moment's hesitation, Auguste gets rid of the toxic substance but, of course, the mob has different views...

A reporter, fired after refusing to give names to a 1951 House Un-American Activities Committee, takes a part-time job as companion to an old lady. While working she overhears a noisy argument in the neighboring house, being conducted largely in German and involving her HUAC prosecutor. She begins to investigate, enlisting the help of the FBI Agent initially detailed to surveil her.

Mathieu, a member of the French institute in Irkutsk, is arrested overnight by the Russian authorities. Imprisoned and accused of sexual abuse on his own daughter, he realises he is a victim of a Kompromat. With the help of the FSB, someone has built up a case to frame him. Isolated, he has no one to turn to. Proving his innocence is impossible: the only solution is to escape.

Sebastien Grenier, a former French spy, is working as a financial analyst in Zurich. However, his peaceful existence starts to disintegrate when he is recruited by a top French intelligence operative to discover how one of their own secret agents was found out and executed in broad daylight.

The successful novelist Judith Ralitzer is interrogated in the police station about the disappearance of her ghost-writer. A serial-killer escapes from a prison in Paris. A missing school teacher leaves his wife and children. In the road, the annoying and stressed hairdresser Hughette is left in a gas station by her fiancé Paul while driving to the poor farm of her family in the country. A mysterious man offers a ride to her and she invites him to assume the identity of Paul during 24 hours to not disappoint her mother. Who might be the unknown man and what is real and what is fiction?

Judith leads a double life between Switzerland and France. On the one hand Abdel, with whom she is raising a little girl, on the other Melvil with whom she has two older boys. Little by little, this fragile balance, made up of lies, secrets and back and forth, cracks dangerously. Trapped, Judith chooses to head forward, at the risk of losing everything.

Two thieves, Hugo Sennart and Yan Kuq, wanted by the same police inspector, cross paths by chance.

Driss and Manuel both grew up on the same council estate. An estate where the sense of belonging to your patch is much stronger than the sense of belonging to a country, a nation or a culture... Manuel has assimilated this belonging, and he has even benefited from it and built his life on it. Driss, meanwhile, has shunned it. They will both have to face up to the consequences of their decisions – because they will each have a price to pay…

Charlotte Gainsbourg agrees to play a witch condemned to be burned at the stake in the first film directed by Béatrice Dalle. But the chaotic production, technical problems, and psychotic breakdowns gradually plunge the shoot into a chaos of pure light.

Set in France during the struggle for Algerian independence, Messaoud's mother is terminally ill and his father, needing to work long hours in the factory, can't look after him, so decides to put him and his older brother Abdel in foster care. Sent to the countryside, Abdel has to work on a farm, but Messaoud is taken in by a childless woman, who conceals his Arab origins from her fiercely Gaullist ex-army husband. Re-named Michel/Michou, and with his hair comically dyed blond, the young boy quickly steals the hearts of both foster-parents, and eventually is instrumental in saving their troubled marriage.