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"While film always seems to aim for humanism and anthropomorphism, I endeavoured in my film to represent only a language with three dimensional letters." Saga is an extension of the plurality of the means of experimentation used by Jean-François Bory to capture the dynamic inside the text, directly related to the spatialisation of letters theorised by Pierre Garnier. lts corresponding object book masterfully resumes the cinematographic dimension in the progression of the writing and uses a visual narration.
Director
Status
Released
Original Language
FR
Stop-motion photography blends with extreme slow-motion in Clair's first and most 'dada' film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements.