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“Opera”
When Rossini’s opera Le Siège de Corinthe was premiered in 1826 in Paris it became a huge success all over Europe. The Rossini Opera Festival presents the opera in a new production from Carlus Padrissa of the Barcelona collective La Fura dels Baus, “which here has one of its most interesting shows” (connessiallopera.it). Artistically “Roberto Abbado holds the ranks excellently and supports a well-cohesive and balanced cast” (L’ape musicale) “where bass-baritone Luca Pisaroni growled fearsomely as Sultan Mahomet, tenor Sergey Romanovsky as Néoclès matched a warm tone with pinging top notes, and tenor John Irvin was self-assured as Cléomène, but soprano Nino Machaidze as Pamyra thrilled most of all, as she purred effortlessly through pyrotechnic coloratura” (Financial Times).
Status
Released
Original Language
EN

As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.

Hiéros
A man ahead of his time, Cyrano de Bergerac dazzles whether with ferocious wordplay at a verbal joust or with brilliant swordplay in a duel. But, convinced that his appearance renders him unworthy of the love of a devoted friend, the luminous Roxanne, Cyrano has yet to declare his feelings for her—and Roxanne has fallen in love, at first sight, with Christian.