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The film, grounded in the photo series titled "Right to be Flawed"—published on a-part.online, the official publishing platform of the Kadıköy-based aesthetic-modernist art collective apart Art Association—is a short videographic essay that aims, through a practice-based experiment, to test French thinker-sociologist Jean Baudrillard’s theory of simulation, the imperfection–perfection dichotomy within that theory, and the implications of this dichotomy in the context of art and image regimes.
Director
Writer
Status
Released
Original Language
EN
Budget
$100
In 1971, Stanford's Professor Philip Zimbardo conducts a controversial psychology experiment in which college students pretend to be either prisoners or guards, but the proceedings soon get out of hand. Based on a true story.