
User Score
0 votes
In Rhea (1982), Askevold elaborates on his interest in allusion and implication, using images that seem to be fragments of a larger narrative to suggest, rather than tell, a story. This piece consists of a series of close-up shots of numerous people, each stating a name or phrase. The shots gesture towards the type of staged reaction shot, often used in soap operas or made-for-TV movies, interrupting the linearity of the story.
Director
Status
Released
Original Language
EN
A pair of high-frequency traders go up against their old boss in an effort to make millions in a fiber-optic cable deal.