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Utililizing from fair-to-passable-to-get the hook performers and acts, Mentone Musicals producer Milton Schwartzwald offers them all in a menagerie setting, with several humans, dressed in wild animal skins acting as audience members. Toss in Mark Plant---next seen on film years later---as an master-of-ceremonies dressed (or undressed as the case may be) like Tarzan. First act in this zoo is The Nagasake Tramp Band (all black performers)who do a couple of novelty instrument specialties, followed by Ruth Daye (aka Ruth Day) who does a tap dance that leaves Leo and the other audience lions roaring. Schwartzwald, never one not to know how to change the pace, then brings on The Ashburns, who trip through some ballroom dancing. Singer Evelyn Poe picks the pace back up with a hot-swing number. Evidently, on the premise that if one novelty band is good then two should be twice as good, The Kidoodlers make their entrance.
Director
Status
Released
Original Language
EN

James Parker and Harry Holt are on an expedition in Africa in search of the elephant burial grounds that will provide enough ivory to make them rich. Parker's beautiful daughter Jane arrives unexpectedly to join them. Jane is terrified when Tarzan and his ape friends abduct her, but when she returns to her father's expedition she has second thoughts about leaving Tarzan.

Circus owner Matt Masters is beset by disasters as he attempts a European tour of his circus. At the same time, he is caught in an emotional bind between his adopted daughter and her mother.