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Rewind is a cinematic artifact. The cinema invites us to suspend our criteria of credibility and makes us believe that mice speak, a man in a cape flies with just stretching out an arm and that in life it is enough to wish something very much for it to happen. Even if we know that it is not true, seeing it before our eyes gives us an imagination to be able to think about it, desire it or recognize it if one day we see it. Rewind's proposal escapes the physical laws and shows a reverse direction time, a rewind. Because, the way things are in the world, we can't think of another fairly credible way to give a happy ending to a horrifying and real situation, that of the stoned women. We propose to see it in order to imagine it, to imagine it in order to desire it, to desire it in order to do something about it.
Director
Status
Released
Original Language
EN

Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.

Follows three social outcasts -- two geeks and a cynic -- as they attempt to navigate a time-travel conundrum in the middle of a British pub.