Repulsion (1965)

A quiet and inconspicuous man rents an apartment in Paris where he finds himself drawn into a rabbit hole of dangerous paranoia.

In 1970s Germany, Léopold, a 50-year-old businessman, picks up and seduces 20-year-old Franz, who swiftly moves into his apartment. The dynamic between them intensifies with the sudden arrival of their ex-girlfriends.

Nanny, a London family's live-in maid, brings morbid 10-year-old Joey back from the psychiatric ward he's been in for two years, since the death of his younger sister. Joey refuses to eat any food Nanny's prepared or take a bath with her in the room. He also demands to sleep in a room with a lock. Joey's parents -- workaholic Bill and neurotic Virgie -- are sure Joey is disturbed, but he may have good reason to be terrified of Nanny.

Hilarity ensues when a falsely accused fugitive from justice hides at the house of his childhood friend, which she has recently rented to a high-principled law teacher.

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

With Istanbul mired in political violence, Kadir is offered release after 15 years in prison if he’ll work as an informant. In a shantytown he stumbles upon his brother Ahmet, working for the city rounding up stray dogs and shutting himself in his home.

The story of a minibus driver and a fairytale princesss nestling under the wing of timeless friendship in an ordinary neighborhood.

Claude is a ruthless and efficient contract killer. His next target, a woman, is the most difficult.

The film features two men who emerge from the sea carrying a large wardrobe, which they proceed to carry into a town.

In 1950s Havana, a romance blooms between two young revolutionaries whose clandestine printing press publishes pamphlets meant to stir up rebellion against the dictatorship of Fulgencio Batista. As their popularity grows, so, too, does their revolutionary zeal and their desire to mobilize other urban guerilla units.