

User Score
3 votes
Rendez-vous of the Docks reconstituted the mythic docks' refusing to load arms for Indochina War in the Marseilles's port. This film captivates by his realistic force. Shot clandestinely using non-professional actors in natural locations, with the camera on his shoulder, Carpita anticipated "la Nouvelle Vague." He is considered the one of the unique French neorealist in film history, the missing link between Jean Renoir’s Toni and Jean-Luc Godard’s Breathless. At the premiere of Rendez-vous of the Docks, cops interrupted the screening and brought the film back to the police station. This film is the longest censored film of the history of French cinema. For 35 years, Paul Carpita thought his film had been destroyed by censorship.
Status
Released
Original Language
FR

Aissa, a young officer of Algerian origin, tragically loses his life during a fresher initiation ritual at the prestigious French military academy of Saint-Cyr. As the death tears through his family, controversy arises over Aissa’s funeral plans when the Army refuses to take responsibility. Ismael, his older, rebellious brother, tries to keep the family united as they fight to win justice for Aissa.

Jo, l'ouvrier «jaune»
After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.