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The death of his son causes McElwee, an autobiographical filmmaker, to look back on his life’s work. He eventually turns to his archive of home movies. To what extent did his camera affect their relationship when Adrian was alive? To what extent does it define that relationship now that he is gone? Meanwhile, an effort to adapt McElwee’s first feature, Sherman’s March, into a work of fiction lurches along, giving the filmmaker another perspective from which to meditate on movie making and mortality.
Director
Status
Released
Original Language
EN
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
