Rabbits (2002)

Agnès, a bourgeois young woman from Geneva, writes a letter to a friend, telling how she ended up cheating on her husband. Fascinated by the attitudes and gestures adopted by a prostitute to attract clients, Agnès decides to imitate her and seduces the first man she sees, sitting on a garden bench.

Two young women find themselves in a dark room where there is a distinctly strange feeling.

A man is desperately trying to avoid mandated military service, but a sexy medic proves to be his undoing.

A silent film shot in New York in 1972, including scenes in Hélio Oiticica’s apartment. Last film made in exile by Bressane, it mimics the experimental concept of "quasi-cinema" by Hélio Oiticica. It consists of a fragmentary experience of freedom, in super-8 and 16mm, in a code out of time, out of the square, while recreating (with different cameras) the wild and sensitive look that Oiticica dedicated to cinema. Its definitive 71-minute restored version was completed in the early 2000s.

A double amputee attempts to write a letter while her nurse gets in the way. [The Amputee was produced in order to test two different black and white video stocks for the American Film Institute. There are therefore two different versions of the film, each using the same script but shot on different stocks and differing in other incidental ways in terms of performance, sound design and duration. This is Version 1.]

Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a clinic with Nelda, a progressive nun. Into this idealistic family comes Hans, a jaded Spanish geological engineer -- surveying the land for the local patron, to see if it can be dammed for hydro-electric power, which would drive the peasants from the land into the cities.

A filmed version of David Byrne's Broadway show, a unifying musical celebration that inspires audiences to connect to each other and to the global community.

To escape neglect and abuse from his parents, a young boy plants some strange seeds and they grow into a grandmother.

In an alternate Japan, territorial street gangs form opposing factions collectively known as the Tokyo Tribes. Merra, leader of the Wu-Ronz tribe of Bukuro, joins forces with heavy-hitting gangster Buppa of Buppa Town. With Buppa's support, Merra aims to initiate a gang war between the Wu-Ronz and the Musashino Saru, and in a confrontation between the two attempts to kill Kai of the Musashino Saru. The inadvertent murder of Kai's friend Tera (a Musashino Saru member beloved by all Tribes since before their formation) leads to the joining of forces between all of the Tribes in an all-out war against Merra and Buppa.

Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.