¿Quién puede matar a un hombre? (2009)

A father fights for decades to bring his daughter's killer to justice in France and Germany before taking extreme measures.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

The true history of a collection of some 500 films dating from 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

A candid look at rehearsal footage in support of a focus on pre-viz.

An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.

Nev, a 24-year-old New York-based photographer, has no idea what he's in for when Abby, an eight-year-old girl from rural Michigan, contacts him on Facebook, seeking permission to paint one of his photographs. When he receives her remarkable painting, Nev begins a friendship and correspondence with Abby's family. But things really get interesting when he develops a cyber-romance with Abby's attractive older sister, Megan, a musician and model. Prompted by some startling revelations about Megan, Nev and his buddies embark on a road trip in search of the truth.

After 23 years on Death Row a convicted murderer petitions the court asking to be executed, but as his story unfolds, it becomes clear that nothing is what it seems.

When Juan Catalan is arrested for a murder he insists he didn't commit, he builds his case for innocence around unexpected raw footage.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.