User Score
3 votes
In 1966, suffering from a serious ulcer, Pier Paolo Pasolini looked back on his life and work. He wrote a long autobiographical poem in prose, which he reworked several times and eventually abandoned. Thirty years after Pasolini's death, Bertrand Bonello decided to make a film about it, in homage to this overexcited artist and key figure of the 20th century.
Director
Writer
Status
Released
Original Language
FR

In the near future, Paris is divided into three zones that separate social classes, and no one can escape ALMA, a predictive AI that has revolutionized law enforcement. When ALMA’s creator is assassinated, Salia, a top agent, and Zem, a jaded cop, are forced to work together to solve a murder that may expose the dark secrets of the system they serve.

After a heist, four criminals lay low in a remote safehouse, waiting for orders. As paranoia builds, one thing becomes clear — the real threat may not be outside, but among them.