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Following the death of his wife in unclear circumstances, the mechanic Egisto Bianchi is accused of auxoricide. A journalist begins to take care of the case and ignites public interest with a successful press campaign. The accused is acquitted for lack of evidence, but the reporter thinks he can still take advantage of the case by making a film of it. He then convinces some filmmakers to draw from the episode the subject of a film in which Bianchi himself will be the protagonist. During the filming, the reporter discovers that Bianchi's wife was cheating on her husband. So he then decides to modify the film script, including adultery, and to be able to shoot without problems he makes Bianchi go away. But he returns and, unseen, witnesses the new scenes of the film in the cinema of the country. Bianchi convinced that adultery is an invention, protests for the change, but the journalist reveals the truth to him, bringing the story to a dramatic ending.
Director
Director
Writer
Writer
Writer
Status
Released
Original Language
IT
Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.
