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4 votes
On the occasion of the opening of the famous Vienna "Riesenrad," a competition was held for the best operetta. A Czech, Jára Cimrman, also submitted his entry, a sweeping seven-hour work entitled "Proso." Due to what was perhaps his only negative trait, a slight stinginess, he did not send the score by registered mail, which allowed Franz Lehár, Johann Strauss, Oskar Nedbal, and other members of the jury to literally tear apart the brilliant operetta fresco. After many decades, a team of Czech Cimrmanologists has proven that the author of the world-famous melodies from Die Fledermaus, Polská krev, and many other operettas is the forgotten Pojizeřan Cimrman.
Status
Released
Original Language
CS

The original score was in a sorry state: the notes were carelessly marked, the lines were broken, and the paper was covered in smudges. I took the utmost care in reconstructing it: I erased the smudges, traced the lines with a ruler, blackened the bellies of the quarter notes, and added tails to the eighth and sixteenth notes. I believe that today's version of the work will stand up to even the most rigorous standards.

Although he hates dogs, Toni is engaged in finding lost animals and then sentimentally blackmails the masters in order to obtain beautiful large amounts of money. Because of an old and ugly Pekinese that Toni cannot succeed of getting rid of, feelings of affection awake in him that surprise even Toni.