P.S. (1979)

A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.

When Ainara announces that she wants to become a nun, chaos arises in her family.

Rosa is in her late 30s, a child of the 1970s with divorced parents. She lives with her own family in São Paulo. Overwhelmed by an eruption of individual passions, lies and the expectations of three generations, she tries to discover who she really is.

Just before Anne is moving from Amsterdam to live with her great love Sara in Montreal, her publisher criticizes the manuscript for her first novel. What exactly is the story she's trying to tell? Does she even have something to say at all? Anne is forced to search for what she wants in life, because it is not only the main character in her novel who seems to be a little lost.

A few days before Christmas, having quit his job in Germany, Matthias returns to his Transylvanian village. He wishes to involve himself more in the education of his son, Rudi, left for too long in the care of his mother, Ana, and to rid him of the unresolved fears that have gripped him. He’s also eager to see his ex-lover Csilla and preoccupied about his old father, Otto. When a few new workers are hired at the small factory that Csilla manages, the peace of the community is disturbed, underlying fears grip the adults, and frustrations, conflicts and passions erupt through the thin sliver of apparent understanding and calm.

In the streets of Istanbul, ailing waste warehouse worker Mehmet takes a small boy under his wing and must soon confront his own traumatic childhood.

Because he wanted to protect his little brother, Teddy, a young man without a history, is accused of the murder of his father and sent to a closed educational center, waiting for his trial for parricide. He then plunges into a brutal universe of which he does not know the rules.

In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.

Matteo is a young successful businessman, audacious, charming and energetic. Ettore instead, is a calm, righteous, second grade teacher always living in the shadows, still in the small town from where both come from. They’re brothers but with two very different personalities. A dramatic event will force them to live together in Rome for a few months, bringing up the opportunity to face their differences with sympathy and tenderness, in a climax of fear and euphoria.

Camille, is the eldest of a large family. One day, her parents enter a religious community which gradually, regimentation becomes sectarian and Camille will have to fight to assert her freedom and save her brothers and sisters.