Proyecto Arcoíris: What Do I Want To Say to the World? (2021)

Benjamin, a rising star filmmaker, is on the brink of premiering his difficult second film No Self at the London Film Festival when Billie, his hard drinking publicist, introduces him to a mesmeric French musician called Noah.

A closeted boy runs the risk of being outed by his own heart after it pops out of his chest to chase down the boy of his dreams.

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

In a warehouse in the heart of Los Angeles, a dwindling handful of devoted craftspeople maintain more than 80,000 student musical instruments, the largest remaining workshop in America of its kind. Meet four unforgettable characters whose broken-and-repaired lives have been dedicated to bringing so much more than music to the schoolchildren of this city.

A fatalistic car crash in Mexico city sets off a chain of events in the lives of three people: a supermodel, a young man wanting to run off with his sister-in-law, and a homeless man.

Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.

Donald is courting Daisy (called Donna, here in her first appearance) Duck in Mexico. He arrives on a burro, which doesn't get along at all well with her; she convinces him to buy a car. They head through the desert, but the car breaks down, and throws Donald out, then takes off on its own with Daisy trapped inside the rumble seat. The car hits a rock, throwing Daisy into a mud puddle, to Donald's excessive amusement. Daisy pulls a unicycle from her purse, and rides off.

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

Carlos sweeps and mops the floor of an old-time barbershop. The day before Independence Day, among the customers is Julio. Their eyes meet, and when the barbershop closes Julio comes back for Carlos. They spend the night together, eating, chatting and even dancing, knowing full well that this encounter will be brief and short-lived.