Promises (2022)

A tale of the three funerals for the ashes of Italian writer Luigi Pirandello intertwined with a murder committed by a young Sicilian immigrant boy in 1930s Brooklyn for what is described as a surreal, grotesque, complex narrative.

Magistrate Jeanne Charmant-Killman doggedly investigates CEO Michel Humeau, who is accused of participating in massive corporate malfeasance. As her investigation leads her into the upper echelons of government, Jeanne becomes intoxicated by the power she is amassing.

Upon their release from prison twen­ty years ear­li­er, Gérard, Ary and Philippe asked them­selves if hon­esty was not the best rack­et of them all. Today, they are insep­a­ra­ble and scrupu­lous­ly above board. But Gérard learns he is ter­mi­nal­ly ill. Their friend’s days being num­bered, Ary and Philippe want to offer him one last love sto­ry… because, as Gérard likes to say : love is bet­ter than life.

Daniele is a young man from Sant’Erasmo, an island on the edges of the Venice Lagoon. He lives on his wits, isolated even from his peer group who are busy exploring an existence of pleasure-seeking expressed in the cult of the barchino (motorboat). This obsession focuses on the building of ever more powerful engines to transform the little lagoon launches into dangerously fast racing boats. Daniele too dreams of a record-breaking barchino, one that will take him to the top of the leader board, but everything he does to further his dream and win respect from the others turns out to be tragically counterproductive. The decline that erodes the relationships, environment and habits of a rootless generation is observed from the timeless perspective of the Venetian landscape and its island outskirts: the point of no return is a foolish, vestigial tale of male initiation. Violent and destined to fail, it explodes dragging the ghost city along on a psychedelic shipwreck.

A young singer on the brink of a promising career finds herself torn between a domineering family, industry pressures and her love for her girlfriend.

This feature-length documentary explores the life of singer-songwriter Leonard Cohen as seen through the prism of his internationally renowned hymn, Hallelujah.

A crew is shooting a libertine costume film in the countryside when Valentin, the director, suddenly disappears. While the local police investigates, the film shoot continues but takes an odd turn. Robin, the cameraman and director’s lover, follows a promise and reaches the Mexican Pacific.

Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.

Robert, an upper-class officer, meets and falls in love with Iris, a house maid. His family will do anything to stop her from marrying him.

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