
User Score
1 votes
From the mid sixties to the late nineties, movie theaters of the Golden Age discreetly shut down by the hundreds, in one neighbourghood after another, in one village after another, ending their existence in showing blue movies and Z movies - Except for the reopening of a few, they all became, at best, garages, places of worship, discount stores and supermarkets. These ancient movie temples - huge cathedrals or tiny chapels - still stand out from present-day too common buildings. If this movie is a journey into the past, revealing a silent world that is lost at the very core of modern cities, it also sends all moviegoers back to their own memories and to their intimate relationship with the passing of time. Each deserted theater, each facade of old movie houses, keeps its very own untouched emotional power - NOWADAYS.
Director
Status
Released
Original Language
FR

Robert, his boyfriend Markus and his autistic brother Ferdi try to survive in a devastated, cold world, where zombies roam. Together with a group of other people they hide in an isolated mansion, but they all know they can't stay there forever. They need to get into the mountains in Austria, but they have only one small car. In addition to the rising tension, why does Ferdi sneak out at night in secrecy?

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.