Princess Cum 9 (2021)

After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.

Anton and Erika started out as friends for five years and got into a romantic relationship for seven years. Anton is a commercial director while Erika is a former band member and becomes his stay-at-home partner. The day finally comes when he asks her to marry him.

An old Finnish athlete travels alone through eastern Europe with his van.

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

not there yet

EMULSION ELECTRONS IMBUED is part of a collection of films revolving around previously recorded cassette tapes. This film is the first in the series and originally shot on 16mm.

The rock-wild youth of the 1960s during the apparitions of their idols.

Rekha and her uncle Shyamlal are the only survivors in their family which has a long and painful history of death under bizarre and suspicious circumstances while living in their ancestral property. Rekha and Shyamlal leave their ancestral property in fear and settle down in the city where Rekha meets a jovial and rowdy bunch of youngsters belonging to the Youth Club. Members of the Youth Club decide to unravel the mystery of Rekha's ancestral property and hope to find out if those deaths are freak accidents or an ancient curse.

Tuula, Mirri and Aino are roommates at a nurse college. At her hospital internship, Aino works with Dr. Eero who has had an affair with Viivi, the director of the nurses' dormitory. At the same time, Tuula is starting to get closer to Mirri's fiancé Ragnar who has begun to doubt Mirri's love and loyalty.

After CLEVELAND VS. WALLSTREET, the director dived into the universe of the Opéra national de Paris to film his documentary about this major centre for musical creation. During this shoot, he met Philippe Jordan, musical director of the Opéra national de Paris. “Filming Philippe Jordan is like a waking dream. He occupies the frame, he bursts from the frame, he is simultaneously totally present in the music, and elsewhere, connected to some invisible forces,” says the filmmaker about the conductor, whom he was able to film close up during rehearsals for Gustav Mahler’s Ninth Symphony. This invisible aspect is what the camera explores in this short film: by focusing on this piece in particular, entirely given over to listening and immerged in the very heart of creation, Jean-Stéphane Bron reveals a fragment of work that we imagine to be titanic, and allows us to see and to hear, in a whole new way, a work whose interpretation is profoundly marked by silence.