Prends ton passe-montagne, on va à la plage (1983)

A failed 40 year old comedian wants to organize the first Black protests in France but meeting with other French celebrities of the Black community will make it a whole new adventure.

Set in the late 1960s, a family of Gypsies live in a dilapidated pavilion in the western suburbs of Paris.

They are the best friends of the world. Five friends who shared everything: may 68, hippies years, the rock and their love for Bernadette. This Bernadette has left them to become a rock-star, and is back 15 years later for a weekend. Jean-Marie Poire describes with this movie the portrait of a generation with lots of humor served by excelent actors.

The whole intrigue is centered around carte-blanche documents kept in a vault. Whoever fills in the blank becomes the owner of a revue. Big money is involved. The nephew of the owner of the vault is trying to cheat his uncle and have his name in the documents. Everything is even more complicated because the manager of the bank has a finger in the pie, too. Who but a humble bank-teller (Pierre Richard) will ruin the scheme?

At 55, Anne is finally enjoying her freedom after her children leave home. But everything changes when her 23-year-old daughter, Louise, moves back in with her after a professional and romantic failure. And to make matters worse, her son, Théo, announces that she's going to be a grandmother! Anne realizes that life never goes as planned and that, at any age, we are still learning to grow up.

Michel works there manically solving people's problems over the phone. He is about to tie the knot with his girl friend Isabelle, an airline hostess. She flies all over the world, he hates to leave the office. A series of madcap mishaps involving theft or injury (as you would expect in his line of work) ensues after Michel promises Isabelle nothing will delay their marriage and she promises in turn that she's done flying. Once this unlikely promise is made, it becomes premise and both are forced into escalating white lies to maintain the appearance of keeping their word. Their predicament mounts as Isabelle is forced to do a few more flights, while Michel is compelled to travel to New York, Tunisia, and finally Hong Kong, where they are finally reunited in the throes of a contrived and hilarious drug deal involving a 747, water taxi chases, and martial arts.

Vincent, a wealthy real estate agent, is invited to dinner by his sister Elizabeth and her husband Peter, both professors in Paris. Claude, a childhood friend and trombonist in a symphony orchestra, is also present. Vincent brings news from the prenatal examination of his and his wife Anna's unborn son. The name chosen by the soon-to-be parents strongly offends the others for many reasons. The dispute between the guests quickly escalates and before long the resurgence of old grudges and hidden secrets is unavoidable...

Henri is a middle-aged writer with fading inspiration who has published nothing worthy of note in years. Feeling increasingly misunderstood by his wife and four grown up deadbeat kids, he dreams of running away to start over again. Yet when he discovers an unattractive, bad-mannered dog in his garden, he decides to adopt him and both start developing an unexpected friendship that inevitably upsets Henri’s family and neighbors.

Paris, in the early 1960s. Jean-Louis Joubert is a serious but uptight stockbroker, married to Suzanne, a starchy class-conscious woman and father of two arrogant teenage boys, currently in a boarding school. The affluent man lives a steady yet boring life. At least until, due to fortuitous circumstances, Maria, the charming new maid at the service of Jean-Louis' family, makes him discover the servants' quarter on the sixth floor of the luxury building he owns and lives in. There live a crowd of lively Spanish maids who will help Jean-Louis to open to a new civilization and a new approach of life. In their company - and more precisely in the company of beautiful Maria - Jean-Louis will gradually become another man, a better man.

Ricky Gervais dishes out controversial takes on political correctness and oversensitivity in a taboo-busting comedy special about the end of humanity.