Post Mortem (1975)

Three female employees of a sexist, egotistical, lying, hypocritical bigot find a way to turn the tables on him.

Two overworked and underpaid assistants come up with a plan to get their bosses off their backs by setting them up with each other.

A young woman, recently released from a mental hospital, gets a job as a secretary to a demanding lawyer, where their employer-employee relationship turns into a sexual, sadomasochistic one.

Linda, the wife of a publishing executive, suspects that her husband Van’s relationship with his attractive secretary Whitey is more than professional.

Four female temps working for a credit company find their friendship threatened by the arrival of a new hire, who lands a permanent position one of the women was vying for.

Dan Foreman is a seasoned advertisement sales executive at a high-ranking publication when a corporate takeover results in him being placed under naive supervisor Carter Duryea, who is half his age. Matters are made worse when Dan's new supervisor becomes romantically involved with his daughter an 18 year-old college student Alex.

In this office satire, Orson, a straight-laced employee, retreats to a blissfully empty corner office to get away from his lackluster colleagues. But why does this seem to upset them so much?

A fiercely independent pilot fighting to keep her family business afloat starts to fall for the man sent by corporate to ground her operation forever.

For Nick, Kurt and Dale, the only thing that would make the daily grind more tolerable would be to grind their intolerable bosses into dust. Quitting is not an option, so, with the benefit of a few-too-many drinks and some dubious advice from a hustling ex-con, the three friends devise a convoluted and seemingly foolproof plan to rid themselves of their respective employers... permanently.

Unlikely hero Mickey Barnes finds himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living.