Port Said (1948)

With the end of the dictatorship, three friends create a Humanitarian Movement to save Greece. In order to raise money, they kidnap a wealthy businessman and threaten to kill him if he does not give them the money they need. Things get complicated when they realize that the businessman's relatives are not interested in him.

Happily ever after has a bumpy start for a young couple in a magical land when the husband is sent off to battle by a jealous prince.

Ram and Sita had always shared a deep bond over their love for music and devotion. One day, their close friend Shiva invited them for a casual gathering. Over cups of tea and lively conversations, Shiva suggested, "Why don't we create a music video dedicated to the hymn Om Jai Jagdish Hare? It could be a beautiful tribute to Lord Ganesh and other Hindu gods." Inspired by the idea, Ram and Sita immediately agreed. They reached out to their other friends-Laxmi, Vishnu, and Ganesh-for help. Together, they worked tirelessly, blending their talents in music, direction, and production. They chose serene temple locations and vibrant cultural elements to bring the video to life, ensuring it conveyed the essence of devotion and harmony. When the video was finally completed, it was a masterpiece of devotion and creativity. As they watched the final cut together, Ram smiled and said, "This video isn't just about the gods; it's about faith, friendship, and trusting in goodness.

Ranmaru is a shy, dorky guy with a tongue that can analyze any element simply by licking an object, a skill that allows him to solve all manner of crimes. With his cute, but annoying sidekick Hikaru, plus the steadying hand of friend Kanji, Ranmaru solves a series of strange events at a failing hot spring resort deep in the mountains. Ranmaru falls in love with a doctor who saves his life. The loveable, endearing Ranmaru and his band of quirky pals team up to solve a nasty murder mystery that devastates the village.

Sanne Søndergaard loves men, but she also hates them. Because why should they have it easier because they happen to be born with a dick? They even think the dick is a god and complain if women don't like it. But women do. The dick is a god, but that doesn't mean women don't want to be paid the same! Sanne Søndergaard has created a show about these conflicting emotions. A show where men and women can laugh together instead of hating each other.

Married at 17 and widowed at 20, Dr. Balasubrahmaniam lives with his teenage son. Son does not want to follow his father into medicine and joins an engineering college. He is killed accidentally by some seniors during ragging. The grief-stricken father tries to avenge his son's death.

Human traffickers wipe out a young girl's family and village. She then seeks revenge on those responsible, eventually becoming first the hunted then turning into the hunters with the mercenary hired to eliminate her.

The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.

Synopsis::: The movie narrates the tragic life story of Roshanbai and how she triumphs over the insensitive society. Roshanbai used to visit the bathing ghat every morning where she could hear the prayers of a brahmin. Roshan fell for him and decided to leave her profession. She wished to start a fresh life with the brahmin. She showered Sohanlal, the agent with money so that he would free her from the profession. One day Roshan pretending to be a destitute brahmin girl won the brahmin’s attention and he gave her shelter. She was content with her new life at the brahmin’s place.

Destroy All Humans is a documentary exploring AI’s rise in art and media through an existential, experimental lens. At its center is HOVERBORG, a fictional band whose AI-generated music sparked questions about creativity and authenticity. Through interviews with musicians, artists, and media professionals, the film reflects on the unsettling shift toward hyperpersonalized media and asks: In a world shaped by algorithms, will we still recognize ourselves in the art we consume?