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“A short film based on the sense and discourse between life and death.”
Mrinal is suffering from a serious illness. Her husband Rudra is a writer. Mrinal's cousin Kamal takes care of Mrinal. Rudra’s friend doctor visits Mrinal for regular checkups. Mrinal often looks at her thin, pale white face in the mirror. In Mrinal's consciousness, thoughts of beauty, thoughts of God, thoughts of death and finally the urge to relieve her pain parallel to nature comes randomly. Rudra loves Mrinal. Mrinal and Rudra do not have marital discord but conflicts as Rudra comes closure with Kamal. But his love for Mrinal is also deep. The doctor remains disinterested after seeing Rudra and Kamal's intimate moment. And Kamal falls in love with Rudra, even physically, but discovers herself through Mrinal's death and leaves home. Rudra lies alone. The main character of the film is basically a sense between life and death. This sense includes dreams, beauty, envy, love, lust and the desire to dissolve into the ethereal form of nature.
Director
Story
Status
Released
Original Language
BN
Budget
$250

The cinema depicts the daily sexual harassment of a woman by speech, physical and gaze and the resulting emotional strain on her personal and professional life. In a patriarchal society, women themselves along with men participate in the attitude towards women, thus depicting the fact that even though she is a woman, she is carrying the seeds of patriarchy. As the psychological introspection of a model, actress, self-reliant, independent woman in her personal life will come up in this movie, so will her own experience about the subject matter of this cinema.

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.