Ponente Lighthouse (1988)

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

Guru Chela is a heartfelt short film celebrating the timeless bond between a teacher Guru and student Chela. The story revolves around a young Chela who invites his Guru to attend his Bratabandha ceremony, a significant event in Nepalese culture marking a boy's transition into adulthood and spiritual maturity. The ceremony takes place at the Southall Temple in the United Kingdom, bringing together tradition and diaspora life. The Bratabandha combines choodakarma tonsure and Upanayana samskara, symbolizing a promise vrata and a sacred bond bandhana. It is a moment of reflection on cultural identity and spiritual growth. As the Guru blesses the Chela during the rituals, the film delves into their profound relationship. The Guru, representing the source of wisdom and guidance, imparts teachings on life and spirituality, while the Chela demonstrates respect and gratitude for his mentor's influence.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Anton and Erika started out as friends for five years and got into a romantic relationship for seven years. Anton is a commercial director while Erika is a former band member and becomes his stay-at-home partner. The day finally comes when he asks her to marry him.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.

A group of students are preparing works for an art exhibition, they belittle a myth that "Any inanimate object that resembles a living thing, is not just a dead-object"

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

Feeling unhappy with his gun, Jigen is looking for the world’s best gunsmith. He finally finds out that Chiharu, who runs a watch shop, is the person he’s been seeking. Then, Jigen meets Oto, who comes to Chiharu’s shop looking for a gun. Jigen finds out about Oto's secrets and the mysterious organization that’s after her. After Oto is kidnapped, Jigen gets into a desperate battle to save her.