Pleasure Plantation (1970)

After his grandfather's death, a man travels with his wife and kids to his hometown, where chaos ensues with his relatives over the inheritance.

The De La Mora siblings concoct a mischievous plan to break into their old family home to retrieve a hidden treasure of significant importance.

A few days before Christmas, having quit his job in Germany, Matthias returns to his Transylvanian village. He wishes to involve himself more in the education of his son, Rudi, left for too long in the care of his mother, Ana, and to rid him of the unresolved fears that have gripped him. He’s also eager to see his ex-lover Csilla and preoccupied about his old father, Otto. When a few new workers are hired at the small factory that Csilla manages, the peace of the community is disturbed, underlying fears grip the adults, and frustrations, conflicts and passions erupt through the thin sliver of apparent understanding and calm.

A family of four fractures under the weight of unmet expectations, unexpected tragedy, and uncompromising pride.

Accompanied by a ward, a prisoner travels to his hometown to reconnect with his daughter and make amends, but a tragic truth mars his journey.

Juliette goes back in her hometown to spend some time with her family. She finds herself between a loving but moody father, a New Age mother, a sister in the midst of an existential crisis, and a grandmother slowly losing her mind. Buried memories and family secrets rise to the surface in this sweet, tender and sometimes extravagant family portrait.

Filmmaker Jafar Panahi and actor Behnaz Jafari travel to a tiny village after receiving a plea for help from a girl whose family has forbidden her from studying acting. Amusing encounters abound, but they soon discover that the local hospitality is rivaled by the desire to protect old traditions.

Ana and her two best friends, Maria and Paula, navigate life in their oppressive countryside village. Whilst their families struggle in the poppy fields harvesting opium, the girls try to grow alongside the creeping terror of their cartel oppressors.

In a small North German village a drama played out during and shortly after the Second World War about duty versus individual conscience and morality.

Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.