User Score
3 votes
Amalie is walking along the Copenhagen canal when a woman falls into the water. She jumps in and tries to save the woman, but ends up drowning herself. When Amalie wakes up in the hospital, she finds out that the other woman is dead and that the authorities believe she is the one who died. Now begins a long and tough battle against the bureaucracy of the Danish social system. It all ends with Amalie deciding to commit one crazy crime after another, culminating in an attempt to steal the crown jewels...
Director
Status
Released
Original Language
DA
Frk. Jensen
The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.
