
In Wajdi Mouawad's "brilliantly involving" new Paris Opera production of Debussy's only opera, Pelléas et Mélisande, French soprano Sabine Devieilhe is "as near to perfection as one might wish for: a voice of exquisite beauty and sung as if the role [of Mélisande] had been written especially for her" (Opera Today) and Huw Montague Rendall, as Pelléas, projects a "faultless French phrasing, endowing [Pelléas] with the perfect blend of freshness and candor" (Bachtrack). Based on the classic symbolist play by Maurice Maeterlinck that the composer found to contain "far more humanity" than realism, Pelléas et Mélisande sets a tragic love triangle against some of Debussy's most soaringly dramatic music, all its Wagnerian flourishes brought out by Antonello Manacorda and the Paris Opera Orchestra.
Director
Status
Released
Original Language
EN

From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.

Geneviève
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.