Pasolini (2014)

When a young girl is kidnapped, ruthless police inspector Peter Nadler embarks on a race against time to rescue her.

Martino, a young entomologist in a sentimental crisis, returns to Rome to find his beloved uncle. As soon as he arrives, his uncle asks him to babysit the daughter of some friends. Once arrived at Linda's home, the little girl, Martino finds out that along with her there is also Lulù, her eccentric and unpredictable grandmother. Everything becomes more complicated when Martino receives the phone call of Tea, an old love encountered by accident right that afternoon. The woman is in danger and asks him for help. Martino, excited about the idea of saving her, is forced to bring the grandmother and child into a series of adventures and misadventures, encounters and unforeseen events, around a nocturnal Rome, seeking a new love.

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A story of a high school boy as he processes the loss of his first love and learns to experience high school over again. For 3 years of high school, JU Ran has silently had a love for a young girl in his class. At the end of his senior year, as the college entrance examination looms overhead, JU Ran's situation changes, and he is given the chance to repeat his senior year. Through this year, he studies again for the examination, and has a second chance at his high school experience. JU Ran's tale is that of growing up, and a caution to take joy in every moment, because even second chances are not perfect.

An intimate exploration of how everyday lives intertwine with personal and political borders in the Indian subcontinent.

Giulio suddenly finds himself having to change his life when his wife, after discovering his betrayal, asks for a separation and, suddenly, the reality around him is no longer the same. Forty years old and father of two children, Giulio is forced by circumstances to say goodbye to family and economic well-being and to study new solutions in order to stay afloat and not drown in a new poverty made of double rents and double bills to pay, solitary lunches in fourth-rate restaurants, children's wishes not to be ignored and creditors to hide from.

A look at how a painter and a successful actor spend their last day together before the world comes to an end.

Willy Loman, an aging, failing salesman, struggles to accept reality and his failure to achieve the American Dream.

Amanzio Rastelli appointed several of his relations to managerial positions in his firm. They decided to think internationally and now business is heavily in debt. Luckily for the Rastellis, Bolta the accountant uses all the tricks of his art to cook the books, but catastrophe awaits.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.