Panoptikum 59 (1959)

A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.

A young woman who is passionate about ballet dancing and experiences a trauma, and then she meets other women who have experienced similar situations and they find a creative way to pursue their passion.

A pair of twin brothers from East L.A. choose to live their lives differently and end up on opposite sides of the law.

In a small North German village a drama played out during and shortly after the Second World War about duty versus individual conscience and morality.

Ana and her two best friends, Maria and Paula, navigate life in their oppressive countryside village. Whilst their families struggle in the poppy fields harvesting opium, the girls try to grow alongside the creeping terror of their cartel oppressors.

Rosa is in her late 30s, a child of the 1970s with divorced parents. She lives with her own family in São Paulo. Overwhelmed by an eruption of individual passions, lies and the expectations of three generations, she tries to discover who she really is.

Among gunshots and boleros, a passionate relationship flourishes between a lonely transvestite and a young guerrilla during the Pinochet dictatorship.

While serving life in prison, a young man looks back at the people, the circumstances and the system that set him on the path toward his crime.

Valeria, young secretary of a producer, lives with an eccentric mother and secretly writes for a successful screenwriter, Alessandro. One day, she receives an unusual present from a stranger: it’s the plot of a movie about the mysterious but really-happened theft of a famous Caravaggio’s painting.

The story follows the social intercourse between a cameraman, Masaya, with a visual impairment, and Misako who disconnects from the world.