Oshaberina shinju (1965)

Shin-chan is approached by his time-traveling future bride-to-be Tamiko, who asks him to help save his adult self from the ruler of Neo Tokio.

When the mysterious Shiriri turns his parents into children, Shin-chan must trek across Japan to help return them to adult form.

A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.

The Yamadas are a typical middle class Japanese family in urban Tokyo and this film shows us a variety of episodes of their lives. With tales that range from the humorous to the heartbreaking, we see this family cope with life's little conflicts, problems, and joys in their own way.

A colossal-sized omnibus film bringing together the last two episodes of Attack on Titan in the franchise's first-ever theatrical experience. After venturing beyond the walls and separated from his comrades, Eren finds himself inspired by this new truth and plots the "Rumbling," a terrifying plan to eradicate every living thing in the world. With the fate of the world hanging in the balance, a motley crew of Eren's former comrades and enemies scramble to halt his deadly mission. The only question is, can they stop him?

Tokyo schoolgirl Hiromi and her friends engage in a practice known as enjo kosai, or "compensated dating", where older men pay young girls for dates. Hiromi plunges deeper into this world to raise money for an expensive ring.

Sawa, orphaned as a child by murderous thugs, now targets the scourge of society as a trained killer for a mercenary syndicate. Coquettish and capable of unimaginable violence, she's grown into the perfect weapon — but doubt takes hold in Sawa's mind when her fellow assassin, Oburi, decides he wants out.

An American journalist travels through 19th-century Japan to find the prostitute he fell in love with but instead learns of the physical and existential horror that befell her after he left.

Toru recalls his life in the 1960s, when his friend Kizuki killed himself and he grew close to Naoko, Kizuki's girlfriend, and another woman, the outgoing, lively Midori.

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.