One Terrible Day (1922)

A young lonely lion crosses an arid and desert Savannah. He discovers that the only source of water is kept by a tyrannical buffalo.

Anton and Erika started out as friends for five years and got into a romantic relationship for seven years. Anton is a commercial director while Erika is a former band member and becomes his stay-at-home partner. The day finally comes when he asks her to marry him.

The lion has to become more physically fit. The gazelle does not think he is capable of doing so.

An experimental film through the eyes of a man

An ex-fireman with PTSD goes on the run when accused of a crime he doesn't even remember committing, leading him down a rabbit hole of conspiracy to the highest degree.

A criminal defense attorney must choose between family, duty and her own dangerous desires when she takes on the case of an artist accused of murder.

A group of teachers must defend themselves from a gang of murderous kids when their school comes under siege after hours.

Three married women had always been dissatisfied sexually with their husbands, and Hyoji, who recently divorced due to her husband's erectile dysfunction. They gathered after a long time and had a drink complaining to each other, and they received a business card from an unidentified handsome man, saying, "Don't you want to play tteok pounding game?" The four of them head to the meeting place and meet suspicious agents who were waiting for them.

After being fired by his ruthless boss, the dangerously vulnerable David is forced to confront the looming loss of his terminally ill mother, Annie, as well as his own relentless demons.

In this French crime film, set during the time of the Gulf War, an elderly German tourist is murdered in Paris by junk dealer Joseph Katz (Pinkas Braun), a friend of Paris detective Sam Bellamy (singer Patrick Bruel). Romantically involved with the victim's daughter Emma Guter (Isabella Ferrari), Bellamy covers up the crime he witnessed. Joseph then mysteriously vanishes, and Bellamy heads for Berlin where the victim's possessions are auctioned. After Bellamy finds the source of the well-hidden traffic in art stolen by Nazis from French Jews, he discovers a Nazi war criminal is blackmailing past associates. Incorporating background from journalist Hector Feliciano's Lost Museum, the film is adapted from Guy Konopnicki's novel, Pas de Kaddish pour Sylberstein (No Kaddish for Sylberstein).