Olga (2017)

Sylvie lives with her two children whom she’s raising on her own. One evening, there’s an accident, and her youngest son is removed from her care. Sylvie must subsequently fight to get her son back and to keep herself afloat.

Mexico City. Every day, Beatriz is insulted and humiliated by her jealous husband, but she does not flee his side because they have created a codependency and, at least for her, she would not conceive of her life any other way: by dint of feeling humiliated, she feels desired and desirable.

One evening, Dalva is suddenly taken away from her father’s house. Dumbfounded and outraged at first, she later meets Jayden, a social worker, and Samia, a teen with a temper. A new life seems to start for Dalva, that of a girl her age.

In the streets of Istanbul, ailing waste warehouse worker Mehmet takes a small boy under his wing and must soon confront his own traumatic childhood.

A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.

Among gunshots and boleros, a passionate relationship flourishes between a lonely transvestite and a young guerrilla during the Pinochet dictatorship.

A woman who works for a non-governmental organization (NGO) forms a special relationship with a young boy in war-torn Chechnya.

A few days before Christmas, having quit his job in Germany, Matthias returns to his Transylvanian village. He wishes to involve himself more in the education of his son, Rudi, left for too long in the care of his mother, Ana, and to rid him of the unresolved fears that have gripped him. He’s also eager to see his ex-lover Csilla and preoccupied about his old father, Otto. When a few new workers are hired at the small factory that Csilla manages, the peace of the community is disturbed, underlying fears grip the adults, and frustrations, conflicts and passions erupt through the thin sliver of apparent understanding and calm.

A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.

In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.