O Defunto (1981)

Mickey and his friends take a close look at important street safety situations and tips.

On July 9th GCW presents Fight Club Houston straight from Premier Arena in Houston, Texas. The lineup is almost completed, check it below: AJ Gray vs Bryan Keith Nick Gage vs Sadika Joey Janela vs Dante Ninja Mack vs Jack Cartwheel Effy vs Gino Jimmy Lloyd vs Carter Lucha Scramble .... more to be added soon!

A COLLEGE BOY TRYING TO GET SOME LUMP OF MONEY FROM HIS DAD.

On the way to Daphne's relatives' condominium, the Mystery Inc. gang detours through the town of Winter Hollow, where the vengeful Headless Snowman has destroyed the town's Christmas spirit.

Lera has been living in Berlin for almost a year after the start of the war in Ukraine. Lera does not feel well in Berlin and makes an impulsive decision to go to Kyiv, for the first time during the war. On the way to Kyiv, she learns that her family is not in Kyiv, and will come only the next day. Therefore, she meets her friend Kyryl, with whom she spends the day, as she used to before the war. In the morning, Lera meets her mother and sister, and finally feels at home. But she still doubts whether she will stay in Kyiv or go back to Berlin.

Chan Kin Fai flies to Los Angeles from Singapore to forget the person he loves. But he ends up calling his love everyday at 9:30 Singapore time.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

The second chapter in the Refrain Blue series focuses on Nao Morisawa and the events that happened at the summer camp last year, with her and Yoshihiro Matsunaga both unable to let go of feelings of the past.

Superman vs. Japanese spies hijacking a new super-bomber.

Bruce Baillie's Mr. Hayashi might be thought of as a putative East Coast story transformed by a West Coast sensibility. The narrative, slight as it is, mounts a social critique of sorts, involving the difficulty the title character, a Japanese gardener, has finding work that pays adequately. But the beauty of Baillie's black-and-white photography, the misty lusciousness of the landscapes he chooses to photograph, and the powerful silence of Mr. Hayashi's figure within them make the viewer forget all about economics and ethnicity. The shots remind us of Sung scrolls of fields and mountain peaks, where the human figure is dwarfed in the middle distance. Rather than a study of unemployment, the film becomes a study of nested layers of stillness and serenity.