User Score
3 votes
Shūji, a desperate vagrant who nearly kills himself, stumbles into a neon‑lit soapland and unleashes his pent‑up lust on hostess Nanako, his cries of desire filling the steamy room. Injured in a bicycle accident, he awakens in a hospital bed—only to be mistaken for her absent husband by Nazuna, a stunning sexy wife starved of affection. In her softly lit apartment, Nazuna’s trembling fingers and silk nightgown hint at the secret hunger she’s long suppressed. Under half‑drawn curtains, her lace lingerie clings to every curve as his fingertips trace heated paths across her skin. Their lips collide in desperate kisses, each gasp and moan echoing in the intimate gloom as they lose themselves in forbidden ecstasy. She arches against him, offering every tremor of her ripe body to his eager touch. By dawn, mercy and obsession blur, leaving them entwined in a heady haze of passion and deception.
Director
Status
Released
Original Language
JA
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
