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Mc Hardy’s film, No Common Sentence, in part situates itself in an experience of a time very much specific to the conditions in which the artist lives as a new mother… I say this only in part, because the relationship to time we are given is also one of a developing grammar, a provisional grammar met out as a time of care, both abstracted and made specific in its opacity. The grammar of No Common Sentence is defiant, it is slow, it is repetitive, it is messy, and it ruptures conventions within cinematic language as it also retreats into a rhythmic tide pool of imagelessness.
Director
Status
Released
Original Language
EN
In late-90s suburbia, a lonely teenager meets a girl at school who introduces him to a mysterious late-night T.V. show — a vision of a supernatural world pulsing beneath their own. As time goes on, however, questions begin to arise about why the show sometimes seems more real than their own lives. In the pale glow of the television, their view of reality begins to crack.
