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The Nicholas family home movies capture a golden age of show business -- with extraordinary footage of Broadway, Harlem and Hollywood -- and also document the middle-class African-American life of that era, images made rare by the considerable cost of home-movie equipment during the Great Depression. Highlights include the only footage shot inside the Cotton Club, the only footage of famous Broadway shows like "Babes in Arms," home movies of an all African-American regiment during World War II, films of street life in Harlem in the 1930s, and the family's cross-country tour in 1934.
Status
Released
Original Language
EN
Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

Constance, a 40-years-old real estate agent, gets fired from her job. With no options left, she contacts her former boss, from the small agency where she started her career. To her surprise, he is hiring, but explains he may have already found someone. Constance is convinced she will get the job because of her experience and extensive qualifications. But when Audrey, a younger and prettier woman, is hired instead, it proves too much for Constance to take.