Navajo (1952)

After being violently pushed from a window, Mary wakes up in the hospital, almost completely paralyzed. Trapped inside the prison of her own body, Mary's only way to communicate is by blinking her eyes. She tries to warn the nurse that a sinister, inhuman force is trying to kill her. But when strange things begin happening around her, she realizes it may be too late to stop it.

Fear runs rampant throughout Tokyo with the revelation that demons in fact exist amongst us. Paranoia and the darker side of humanity boils onto the streets as people turn on one another, suspecting that anyone could in fact be a demon hiding in human clothing. Amidst the growing tensions, tragedy strikes Akira causing his mind to snap, retreating into his subconscious, allowing his Devilish alter-ego Amon to break free from Akira's cage of flesh and wreak havoc on both human and demons alike.

Tilemachos has been for many years now engaged to Fofo, who is pressuring him to get married. But he first wants to marry off his sister, who has passed “the usual” age for marriage. Tilemachos is desperate, and he decides to find a husband for his sister by advertising in the newspapers.

Skinemax is Koyaanisqatsi for a generation raised on late night television and B-movie VHS tapes. It's long form entertainment for short attention spans. An hour long VJ odyssey, it will move your body and warp your mind. A nostalgic look back at a half remembered childhood growing up in the 80s and early 90s, Skinemax takes a close look at the culture of that era. The images that motivated, delighted, and terrified us on the silver screen, set to propulsive modern music that pines for a simpler time.

Unable to move on from a breakup, Gabi, a queer Latina freelance editor, impulsively drops into an old job at an underground lap dance party, where she unexpectedly runs into a friend from her past.

After waking up disoriented and frightened in a hospital room, George discovers that he has received a full face transplant.

Kirsti works as a reception assistant to Dr. Varjo and is secretly clinging to the doctor's son, Eino, who is studying to become an architect. Even though the film reflects early social problems and class jokes, there is no humor about describing everyday life.

Mario, a worker in "lost and found" department, finds a suitcase with a dead baby inside.

Set in an urban fairytale, DeShawn (an unlikely anti-hero) is smack-dabbing in the middle of a peculiar crossroads. He is haunted by the ghosts of one hundred men: ex-“boyfriends,” in addition to the ghosts of everyone they dated. His days are filled with spiraling epiphanies and lucid, reckless bohemianism fueled by systemic poverty and HIV ennui. In this particular sketch he is relating his philosophy of the world to an unknown caller on his landline telephone while magically shrink-fitting a new pair of jeans that he recently shoplifted from Levi’s. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.

Lori Madison is a young woman turning 30 who returns to her Colorado hometown and discovers a childhood list of seven things to do before she turned 30, and finds that she has yet to achieve any of them. So, Lori sets out on a frantic, and humorous quest to accomplish them before her 30th birthday just three weeks away