My Blue Heaven -My Blue Sky- (2024)

A love story written by an ordinary housewife is going to be broadcast as a radio drama and almost everyone among the crew insists on changing various parts of the play to their liking.

Tokiko patiently awaits her husband's return from WWII when her four-year old son falls ill. She takes him to the doctor but has no means of paying, so she resorts to prostitution. A month later, her husband returns to find his desperate wife, who tells him the truth. Together, they must deal with the consequences.

An elderly couple journey to Tokyo to visit their grown children, only to find them preoccupied and self-involved.

After yakuza boss Kurata dissolves his own criminal empire, a rival kingpin offers a position to Kurata's top operative, Tetsuya "Phoenix Tetsu" Hondo. When the fiercely loyal Tetsu declines, Otsuka taps unstoppable Tatsuzo the "Viper", a ruthless gun-for-hire, to assassinate him. As the Viper trails his target through the countryside, the agile Phoenix Tetsu grows concerned that one of his former associates has betrayed him.

When young protege Akira Kageyama is bitten by his dying vampire boss, Genyo Kamiura, he must get used to his new powers before seeking revenge.

Hisako loses her home in Tokyo to Allied bombing. With her husband fighting somewhere in Asia, she and her two children evacuate to a suburb of Kobe, where they share a house with Hisako's cousin, Kyoko. Kobe is bombed and Kyoko is killed. Hisako is forced to take care of Kyoko's two children in addition to her own, but there is not enough food for everyone.

Former yakuza underling Kazuma Kiryū has recently been released from prison after a lengthy incarceration and is trying to piece his life together and distance himself from his yakuza past. Unfortunately, Kiryū's problems slowly escalate as he is pursued by a former associate, the baseball-bat-wielding psycho Gorō Majima, who has a grudge to settle with Kiryū.

In spring, a girl leaves the island of Hokkaido to attend university in Tokyo. Once there, she is asked to reveal why she wanted to go there in the first place.

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

The neglected common-law wife of a Japanese librarian is repeatedly harassed by a young man with a heart condition who seduces her with the prospect of a better life.