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Victoria Clay Mendoza follows Benjamin Pech in his final year as principal dancer of the Paris Opera Ballet. Between them, a friendship emerges in which they mirror each other: she faces the need to return to Mexico to care of her mother diagnosed with Alzheimer's, while he confronts a hip injury that brings an end to his stage career. A visual essay on the loving acceptance of what comes to an end.
Status
Released
Original Language
ES
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.