Ms .45 (1981)

There is instant chemistry between Alice (Gillian Anderson), a businesswoman, and Adam (Danny Dyer), a younger working-class man who installs a security system in her London apartment. She takes him to a party in the country, and they end up making love. But the night turns horrific when they encounter three thugs who maim Adam and rape Alice. The incident turns them into fearful recluses until Alice spots the leader of their attackers (Anthony Calf) -- and the two victims plot a brutal revenge.

When a brutal carjacking yields a videocamera, a teenage boy decides to document his life and the lives of his fellow gangbangers.

In the Autumn of 1960, a fluke atmospheric weather condition allows a young teenager, Parry Tender, to receive a radio broadcast from New York City. Nestled in the Northern town of Goose Lake, Saskatchewan, Parry believes the contest the New York radio D.J. is running may be his ticket out of town, and away from a life to which he feels he never belonged. When Debbie Baxter, a young girl from California, arrives in the town by way of her father's position with the military, Parry soon discovers love, loss, and the magic of rock and roll.

Twenty-year old misfit François earns his living by gathering boxes and bottles to resell to local shopkeepers. He lives with his grossly insensitive mother and stepfather. Mado is a gawky 11-year old, who is neglected by her family because of the oddness of the way she expresses her affection. For reasons which never become clear, François kidnaps Mado, and takes her to live with him in the attic of his parents' home. Instead of feeling fear, Mado enters into the spirit of the abduction, and they joust with one another, increasingly finding love and comfort in their relationship. When the police come upon them, however, they put an entirely different interpretation on their behavior.

An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV) and their wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their 'Pandrogyne' project.

A secretary is introduced to the world of BDSM by her boss. She becomes his personal slave as they take a walk on the wild side of experimentations. This film is based on main actress Rinako Hirasawa’s personal experiences.

After an old witch desecrates a church and abducts a baby, the police take her in for questioning, leading her to attempt suicide. To exact revenge, a fellow witch curses the police commissioner's daughter, and as the old witch dies, her spirit latches onto the young girl and causes her to wreak havoc.

Model Starlet, leads a double life; at night, she becomes Sherry, a Times Square prostitute, in order to search for her brother's killer. He was a marine who had been involved in a game of hot potato with a live hand-grenade on a boat returning from Lebanon. The game had ended tragically when the grenade went off, killing three men and injuring six others, castrating one of them. Now someone is stalking New York and stabbing ex-marines to death, leaving fake hand-grenades between their legs after castrating them. Hard-boiled policeman Flanigan thinks Starlet is putting herself in too much danger, so he intentionally exposes her double identity, then poses as her to catch the real killer.

Businessmen arrange the early release from prison of Togawa, serving time for taking revenge on the truck driver whose carelessness confined Togawa's sister, Rie, to a wheelchair. They want Togawa to hijack an armored truck loaded with 120 million yen; their leverage is to promise him money for surgery for Rie. Togawa consents and plans the heist with three others. The plan is solid, but it doesn't go smoothly. Togawa must improvise, there are traitors somewhere, and double-crosses mount. Can Togawa escape with enough money to help his sister and ensure a passage out of Japan?

In postwar Tokyo, beloved writer-professor Hyakken Uchida retires and is buoyed through hardship by the fierce devotion of his former students, who honor him each year with a raucous “Not yet!” birthday toast. Told in warm, gently comic vignettes, Kurosawa’s farewell celebrates aging, friendship, and the sustaining ritual of teacher and pupils refusing to say goodbye.