Moonlight Sisters (2023)

Two married couples adjust to the vast social and economic changes taking place in China from the 1980s to the present.

Tangshan, 1976. Two seven-year-old twins are buried under the rubble of the deadliest earthquake of the 20th century. The rescue team explains to their mother that freeing either child will almost certainly result in the death of the other. Forced to make the most difficult decision of her life, she finally chooses to save her son. Though left behind as dead, the little girl miraculously survives, unbeknownst to her brother and mother.

In New York City, a young girl is caught in the middle of her parents' bitter custody battle.

Years after her boyfriend left her for the big city and promised to bring her there after he’s settled down, a Chinese woman sets out on a journey to be reunited with him.

Clara and her two sons escape from her abusive husband with little more than their car and plan to start over in New York. After the car towed away, the family meets Alice, who gets them into an emergency shelter. While stealing food at a Russian restaurant called ‘Winter Palace’, Clara meets Marc, who has been given the chance to help the old eatery regain its former glory. The ‘Winter Palace’ soon becomes a place of unexpected encounters between people who are all undergoing some sort of crisis and whom fate has now brought together.

Twin sisters secretly swap places on their thirtieth birthday. The harmless prank becomes a nightmare when one of them is murdered.

A man reflects on the lost love of his youth and his long-ago journey from Taiwan to America as he begins to reconnect with his estranged daughter.

A moment of impulsiveness turns Gao Zhilei into a "stay-at-home" individual, but he never expected his life to take a turn in the opposite direction. A series of changes compel him to take on his responsibilities as the head of the family. When life's burdens hit hard, he must confront himself and start anew.

Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.

An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.