Monday or Tuesday (1966)

In a rural Utah town, David, a father of four, grapples with his separation from wife Nikki as she pursues a new relationship.

Widower Harry Keach is a construction worker who was raised to appreciate the importance of working for a living. He takes a dim view of his sensitive son Howard's lackadaisical lifestyle and has a strained relationship with his daughter Nina as he does not approve of her husband. When Harry is fired from his job, his life changes drastically as he is made to focus on the relationships around him.

Susan Morrow receives a book manuscript from her ex-husband – a man she left 20 years earlier – asking for her opinion of his writing. As she reads, she is drawn into the fictional life of Tony Hastings, a mathematics professor whose family vacation turns violent.

A journalist duo go on a tour of serial killer murder sites with two companions, unaware that one of them is a serial killer himself.

An ambitious reporter probes the reasons behind the sudden split of a 1950s comedy team.

With the help of his girlfriend Cathy and Dr. Fong, a psychiatrist, ambitious journalist Johnny Barrett poses as a madman in order to be admitted to a mental institution where a bloody murder has been committed.

Porter Wren is a Manhattan tabloid writer with an appetite for scandal. On the beat he sells murder, tragedy, and anything that passes for the truth. At home, he is a dedicated husband and father. But when Caroline, a seductive stranger asks him to dig into the unsolved murder of her filmmaker husband Simon, he is drawn into a very nasty case of sexual obsession and blackmail--one that threatens his job, his marriage, and his life.

Boozer, skirt chaser, careless father. You could create your own list of reporter Steve Everett's faults but there's no time. A San Quentin Death Row prisoner is slated to die at midnight – a man Everett has suddenly realized is innocent.

A sociopathic kidnapper methodically pushes a desperate pair of parents to their absolute breaking point.

An award-winning cynical journalist, Lloyd Vogel, begrudgingly accepts an assignment to write an Esquire profile piece on the beloved television icon Fred Rogers. After his encounter with Rogers, Vogel's perspective on life is transformed.