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In his first short documentary, made for the series Libres courts, filmmaker Danic Champoux points his camera at his own father. This is one of those men who have to uproot themselves and leave their families to be able to work. How many of them have the terrible feeling that they are wasting their life to earn it? Exemplary suppliers, anonymous workers, nomadic builders, they move from factory to dam, from one site to the next and form a society apart. Every day, these men have to rise to the occasion. Each evening, they have to tame the loneliness a little more.
Director
Writer
Status
Released
Original Language
FR

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

It's mid 19th century, north of France. The story of a coal miner's town. They are exploited by the mine's owner. One day the decide to go on strike, and then the authorities repress them.