Mister Albert (1932)

Alex, a quiet forty-something, leads an ordinary life until new neighbours move in. The husband is Alex’s perfect lookalike… except for one thing: he has hair. Alex sinks into a growing paranoia as he becomes preoccupied with this more charismatic, brilliant and accomplished mysterious double.

Paris, in the early 1960s. Jean-Louis Joubert is a serious but uptight stockbroker, married to Suzanne, a starchy class-conscious woman and father of two arrogant teenage boys, currently in a boarding school. The affluent man lives a steady yet boring life. At least until, due to fortuitous circumstances, Maria, the charming new maid at the service of Jean-Louis' family, makes him discover the servants' quarter on the sixth floor of the luxury building he owns and lives in. There live a crowd of lively Spanish maids who will help Jean-Louis to open to a new civilization and a new approach of life. In their company - and more precisely in the company of beautiful Maria - Jean-Louis will gradually become another man, a better man.

The whole intrigue is centered around carte-blanche documents kept in a vault. Whoever fills in the blank becomes the owner of a revue. Big money is involved. The nephew of the owner of the vault is trying to cheat his uncle and have his name in the documents. Everything is even more complicated because the manager of the bank has a finger in the pie, too. Who but a humble bank-teller (Pierre Richard) will ruin the scheme?

Alexandre Taillard de Vorms is a force to be reckoned with. With his silver mane and tanned, athletic body, he stalks the world stage as Minister of Foreign Affairs for France, waging his own war backed up by the holy trinity of diplomatic concepts: legitimacy, lucidity, and efficacy. Enter Arthur Vlaminck. Hired to write the minister's speeches, Arthur must contend with the sensibilities of his boss and the dirty dealings within the Quai d'Orsay, the ministry's home.

Danny Masterson (TV's 'That '70s Show') leads a hilarious ensemble cast in a tale about two hapless stoners who get involved in a scheme to rip off a shady character named Mr. Big after the duo sours on rehab.

Unlucky in love, Alfred tries to commit suicide, only to be thwarted by police efforts to prevent a simultaneous attempt by a nearby young woman. Recovering, the young lady puts him up at her house, as he has run out of places to live. He joins a Parisian sporting team and seems to have transferred his bad luck to a corrupt television boss who is attempting to manipulate the game so that Alfred's Paris team loses.

Henri is a middle-aged writer with fading inspiration who has published nothing worthy of note in years. Feeling increasingly misunderstood by his wife and four grown up deadbeat kids, he dreams of running away to start over again. Yet when he discovers an unattractive, bad-mannered dog in his garden, he decides to adopt him and both start developing an unexpected friendship that inevitably upsets Henri’s family and neighbors.

Ariane is convinced that her boyfriend, Jean-Jacques, is having fantasies about another woman, Élisabeth. In an attempt to save their relationship, Ariane encourages Jean-Jacques to pursue Élisabeth, believing that this is the best way to free him from his own desires. Jean-Jacques presents himself at Élisabeth's house, not realising that she is the daughter of the French President.

A young man paying the rent for himself and his lifelong friends ends up flat-broke and resorts to selling marijuana to pay the bills – only to get caught up in the dangerous world of drugs.

Baptiste, a talented imitator, is unable to make a living from his art. One day, he is approached by Pierre Chozène, a famous but discreet novelist, constantly disturbed by incessant calls from his publisher, his daughter, his ex-wife... Pierre, who needs peace and quiet to write his most ambitious text, then suggests that Baptiste become his 'answering machine' by pretending to be him on the phone... Little by little, Baptiste doesn't just imitate the writer: he develops his character!