Miss Italia (1950)

In 1980s - 1990s Italy, Riccardo Schicchi’s agency Diva Futura turns free love into porn, making stars of Ilona Staller, Moana Pozzi and others known around the world. Their fame leads to Cicciolina’s election and Pozzi’s mayoral run.

A 16-year-old girl takes her parents hostage after they miss her big jump-roping competition.

A 22 year-old Bangladeshi-Italian Muslim boy meets a beautiful, exciting Italian girl who makes him re-analyze his beliefs and culture.

The young priest Father Giulio returns to Rome, his hometown, after a long pilgrimage. Don Giulio hopes to live peacefully with his family and his friends, but discovers that many of them are depressed or frustrated, and some suicidal.

A train travels across Italy toward Rome. On board is a professor who daydreams a conversation with a love that never was, a family of Albanian refugees who switch trains and steal a ticket, three brash Scottish soccer fans en route to a match, and a complaining widow traveling to a memorial service for her late husband who's accompanied by a community-service volunteer who's assisting her. Interactions among these Europeans turn on class and nationalism, courtesy and rudeness, and opportunities for kindness.

A music journalist accompanies her father, a charmingly stubborn Holocaust survivor, on a journey to his homeland. While she's eager to make sense of her family's past, her dad has an agenda of his own.

A film director gathers his favorite actresses, those he worked with and those he loved. He wants to make a film about women but he doesn’t reveal much: he observes them, takes cue, until his imaginary throw them into another era, in a past where the noise of the sewing machines fills a workplace handled and populated by women, where men have minor and marginal roles and cinema can be told from another point of view: the one of costume. Between loneliness, passions, anxieties, heartbreaking absence and unbreakable bonds, reality and fiction permeate, as well as the lives of the actresses and those of the characters, the competition and the sisterhood, the visible and the invisible.

In 1944 Tuscany, a group of boxers struggling through World War II stages rigged matches to earn money and travel, accompanied by a missing black American soldier and a girl resisting marriage, as they navigate the challenges of their war-torn world.

Three partisans bound by a strong friendship return home after the war, but the clash with everyday reality puts a strain on their bond.

In Italy, Checco Dal Monte manages a troupe of traveling performers with plenty of heart but minimal talent. At a small town engagement, he encounters the starry-eyed, gorgeous Lily Antonelli, and hires her as a dancer on the show. Vivacious Lily quickly sells out crowds and earns the resentment of Checco's mistress, Melina Amour, but the fledgling performer has far bigger ambitions and soon sets her sights on a higher-profile role.