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This two-channel film, initiated as a long-distance communication experiment, was the result of an exchange with Fred Moten, the poet and theorist whose work explores representation and identity in black avant-garde culture. Moten and Tsang left each other voicemail messages every day over a two-week period, never actually making contact, but often riffing off of the other’s previous message. The recordings of these messages serve as voiceover for footage of the faces of Moten and Tsang looking directly at the camera with deadpan expressions.
Director
Status
Released
Original Language
EN

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

A detective suffering from a personal loss receives a call from his recently deceased niece. Being able to communicate across time, the two work together to try and stop the crime before it occurs.