Miracle at Moreaux (1986)

Human traffickers wipe out a young girl's family and village. She then seeks revenge on those responsible, eventually becoming first the hunted then turning into the hunters with the mercenary hired to eliminate her.

Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.

As novice detectives, Bud and Lou come face to face with the Invisible Man.

Three macabre short stories about gambling, vengeance and homicide.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

A man enters a bar, sits and observes, not speaking. Gradually, the silent presence of the stranger disturbs the other customers.

Vegan Chef Arthur, who is afraid of hurting even one insect in his daily life, does not hesitate to slaughter animals alive in the kitchen and sacrifice everything for the sake of taste.

Amidst the mists and wild nature of Aspromonte, an archaeologist and two of his assistants are searching for an ancient treasure. From the earth opened up by the excavation, three nymphs emerge, mythical and mysterious creatures. Once free, they come into contact with the inhabitants of a remote mountain village, triggering a series of mysterious and terrifying events.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

No overview available.